Les Misérables (2012) | I love movies living room - Mart Raun - Movie Blog
Operator: Danny Cohen, living room designer Eve Stewart, Editing by Chris Dickens, Melanie Oliver, composer Claude-Michel Schönberg, Producers: living room Tim Bevan, Eric Fellner, Debra Hayward & Cameron Mackintosh.
Musical theater history is made obvious change. Hollywood's golden age, they were largely resolved long master plans and with minimal assembly (Top Hat, Singin 'in the Rain, My Fair Lady, etc.), 1960-1970s, became the most important musical passages assembly living room and dominates became the central plan (Cabaret, Hair, All That Jazz). 1980s led to an eclectic form of music-related solutions (Pink Floyds The Wall, Evita), and the 2000s have gone a step further by offering veelgitihedamat eclectic montage of images (Moulin Rouge, Chicago). "Kings Speech" Tom Hooper living room won the Oscar for fresh leads that premiered in 1980, "Les Miserables" by focusing on the big screen during the entire film actors living room big plans. How dare approach him but cinema works?
My greater living room exposure to "Les Miserables" musical was in 2001, when George Malviuse staged version was played in the town hall. It was one of my boring life mixed residential and paste the musical, which was the only one to remind Sepo Seeman in the "Master of the House". Victor Hugo's "Les Miserables" is an epic work that has worked living room for me so far the best four-osase miniseeriana Gérard Depardieu'ga Valjean and Javert part of John Malkovich. Musical condenses a lot of material, and thus relies on several lines of books, not exposed to humans messy. These same problems will reach a stage version of the movie version - for example, the book will be an important Cosette'i (Seyfried), a character with very little screen time, and his relationship with both Valjean (Jackman) as he loved Marius (Eddie REDMAYNE) remains weak. Also touched on everything revolutsioongia inherent itself quite casually.
But this is it. The central problem of the film does not lie so much in the musical itself but Tom Hooper jugles, but very rarely workable solutions. This is the first time in the history of musical achievement - almost all of the songs are presented by live actors' s, unused phono. That, all by the acclaimed cast, giving the film a conventional approach from a lot more intense and emotional performances here, but the director's living room choice for nearly all of the large numbers of plans to solve, makes the movie boring. Except südantlühestav living room and truly inspired one frame up into Anne Hathaway's "I Dreamed living room A Dream" presentation, then a large part of the numbers do not work at all.
The Big Picture, the film is used to convey the emotion of the cast, especially if she does not say anything (this was, after all, the biggest mesitreid Sergio Leone, living room who was silent in the face and eye of an art form in its own right). If a large scale after the actor literally sings his strong emotions, what we can see of her face becomes an aspect of them is redundant. "Abandoned" is essentially a musical and an opera intermediate living room symbiosis, which acts on the stage - the master plan. Characters sing because emotionally and directly to your tunnentest because the viewer sees the action from afar and has been read all through the voice and words. The big plan is one of the most intimate theater, and enimkõnetavaid solutions that movie directors use the olulistemates places to emphasize something. "Stray living room abandoned plans for major changes, however, overexploitation, despite mostly good actors starring role in almost all the scenes and the sentences to be equivalent. Not only does the film have to be filled with a whole big plans, it has taken up a wide-angle (lähedel being filmed, the actors are great). Emotionally, the singing is not the face of large scale atraktsiivsem thing in this world, and multiplies living room the already excessive melodramaatilisust. living room Hooper idea was to bring the viewer directly to the actors, but most of them there is a desire to be the furthest extent possible.
"Abandoned" living room is static living room and intimate musical act where it is not possible living room to solve all the classic dance numbers and a desire to find a new approach is straightforward. Looking at the number of such nature and music (such as Joel Schumacher's theater version of "Phantom of the Opera"), you can understand how difficult it is interesting, and the movie's director operatively to bring the cinema screen. Tim Burton did it quite recently, making Stephen Sondheim'i musical "Sweeney Todd: The Demon Barber living room of Fleet Street" and the screen version of the minimalist kinematograafilsieks. True, feedlot songs were much closer to dialogue, but he kept away from the camera for more singers and chose the most interesting loojutustamisvahendeid. "Les Miserables" comes to truly implement these occasions, when the same duo of Burton's movie - Sacha Baron Cohen and Helena Bonham Carter on screen
Operator: Danny Cohen, living room designer Eve Stewart, Editing by Chris Dickens, Melanie Oliver, composer Claude-Michel Schönberg, Producers: living room Tim Bevan, Eric Fellner, Debra Hayward & Cameron Mackintosh.
Musical theater history is made obvious change. Hollywood's golden age, they were largely resolved long master plans and with minimal assembly (Top Hat, Singin 'in the Rain, My Fair Lady, etc.), 1960-1970s, became the most important musical passages assembly living room and dominates became the central plan (Cabaret, Hair, All That Jazz). 1980s led to an eclectic form of music-related solutions (Pink Floyds The Wall, Evita), and the 2000s have gone a step further by offering veelgitihedamat eclectic montage of images (Moulin Rouge, Chicago). "Kings Speech" Tom Hooper living room won the Oscar for fresh leads that premiered in 1980, "Les Miserables" by focusing on the big screen during the entire film actors living room big plans. How dare approach him but cinema works?
My greater living room exposure to "Les Miserables" musical was in 2001, when George Malviuse staged version was played in the town hall. It was one of my boring life mixed residential and paste the musical, which was the only one to remind Sepo Seeman in the "Master of the House". Victor Hugo's "Les Miserables" is an epic work that has worked living room for me so far the best four-osase miniseeriana Gérard Depardieu'ga Valjean and Javert part of John Malkovich. Musical condenses a lot of material, and thus relies on several lines of books, not exposed to humans messy. These same problems will reach a stage version of the movie version - for example, the book will be an important Cosette'i (Seyfried), a character with very little screen time, and his relationship with both Valjean (Jackman) as he loved Marius (Eddie REDMAYNE) remains weak. Also touched on everything revolutsioongia inherent itself quite casually.
But this is it. The central problem of the film does not lie so much in the musical itself but Tom Hooper jugles, but very rarely workable solutions. This is the first time in the history of musical achievement - almost all of the songs are presented by live actors' s, unused phono. That, all by the acclaimed cast, giving the film a conventional approach from a lot more intense and emotional performances here, but the director's living room choice for nearly all of the large numbers of plans to solve, makes the movie boring. Except südantlühestav living room and truly inspired one frame up into Anne Hathaway's "I Dreamed living room A Dream" presentation, then a large part of the numbers do not work at all.
The Big Picture, the film is used to convey the emotion of the cast, especially if she does not say anything (this was, after all, the biggest mesitreid Sergio Leone, living room who was silent in the face and eye of an art form in its own right). If a large scale after the actor literally sings his strong emotions, what we can see of her face becomes an aspect of them is redundant. "Abandoned" is essentially a musical and an opera intermediate living room symbiosis, which acts on the stage - the master plan. Characters sing because emotionally and directly to your tunnentest because the viewer sees the action from afar and has been read all through the voice and words. The big plan is one of the most intimate theater, and enimkõnetavaid solutions that movie directors use the olulistemates places to emphasize something. "Stray living room abandoned plans for major changes, however, overexploitation, despite mostly good actors starring role in almost all the scenes and the sentences to be equivalent. Not only does the film have to be filled with a whole big plans, it has taken up a wide-angle (lähedel being filmed, the actors are great). Emotionally, the singing is not the face of large scale atraktsiivsem thing in this world, and multiplies living room the already excessive melodramaatilisust. living room Hooper idea was to bring the viewer directly to the actors, but most of them there is a desire to be the furthest extent possible.
"Abandoned" living room is static living room and intimate musical act where it is not possible living room to solve all the classic dance numbers and a desire to find a new approach is straightforward. Looking at the number of such nature and music (such as Joel Schumacher's theater version of "Phantom of the Opera"), you can understand how difficult it is interesting, and the movie's director operatively to bring the cinema screen. Tim Burton did it quite recently, making Stephen Sondheim'i musical "Sweeney Todd: The Demon Barber living room of Fleet Street" and the screen version of the minimalist kinematograafilsieks. True, feedlot songs were much closer to dialogue, but he kept away from the camera for more singers and chose the most interesting loojutustamisvahendeid. "Les Miserables" comes to truly implement these occasions, when the same duo of Burton's movie - Sacha Baron Cohen and Helena Bonham Carter on screen
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